Empirical Waist

Maroon 5 - Give A Little More

2010-09-30T12:20:00.000-07:00

Latest video I styled - Maroon 5's "Give a Little More."

Lissy Trullie "Self-Taught Learner" Video

2009-11-03T19:31:00.000-08:00

I know it's a pathetically brief post considering it's been over six months since my last blog entry, but here's the Lissy Trullie video I styled for her album's title track, "Self-Taught Learner." It was just released a few days ago.

Directed by John Christopher Pina and Gian Mazcour.
Hair by Monet Moon.
Make-up by Brenda Momperousse.

The wardrobe features 3.1 Phillip Lim, ADAM, Hervé Léger, United Bamboo, Chloe Sevigny for Opening Ceremony, Gryphon, Doo.ri, Acne, Charlotte Ronson, Jen Kao, Bijules, Rachel Leigh, Lerario Beatriz and Helene Zubeldia. A special thanks to all showrooms and designers for providing such great pieces for the video. Enjoy!

Ryan McGinley x Agyness Deyn = Wow

2009-05-06T10:47:00.000-07:00

All at once inspiring, uncomplicated and spontaneous; this is fashion photography at it's best. Superb-model Agyness Deyn braves what looks like a sleet storm, striking a variety of candid (and somewhat compromising) airborne poses, all caught by the nearly-voyeuristic lens of photographer Ryan McGinley. I want more.

Photos courtesy of Calikartel

Vogue Goes to Rehab...

2009-03-30T16:00:00.000-07:00

One thing I love about the Internet is the infinite nature of what is there and what you can find. Today while doing some research I came across this editorial from the July 2007 issue of Vogue Italia. I cannot believe I've never seen it before. The images are so powerful, sad and beautiful. Photographer Steven Meisel nailed the tabloid-fueled celebrity zeitgeist on the head, depicting top models incarcerated in what is called rehab, but more aptly resembles the backdrop from scenes in One Flew Over the Cuckoo's Nest or Girl, Interrupted.

This intimate portrait of a world only seen from the outside (if you be so lucky) is no plush Wonderland or Promises treatment center frequented by the likes of Hollywood's young starlets. Meisel almost replicates infamous scenes that have been so ingrained in our collective consciousness thanks to the supermarket weeklies like Star and Us. The final product is more than a little wink in the direction of Tinseltown's troubled elite; they are clearly the inspiration for the shoot. We are treated to a veritable buffet of familiar indiscretions. There's the ever-so-popular crotch flashing, the unforgettable maniac-impulsive head shaving à la Britney (or the opposite, bad extensions—again, thanks Britney), and all the requisite cigarette smoking one could need when coming off something more addictive. Apparently, the Surgeon General recommends them for "exhaustion," if that is the case for admission.

The art direction is so spectacular and the visuals so provocative that we have to take a moment before we can absorb the fashion. The shoot was styled by Karl Templer and incorporates a vast spectrum of soft, girly palettes mixed with a raw rock & roll roughness—and a little mismatched wackiness thrown in for good measure. Having so many different styles and moods in one editorial is pretty difficult when telling a cohesive story, but given that it is shot in a loony bin, it should be permitted creative liberty to be a little schizophrenic. Within the 20-plus page editorial there is no doubt something for every one of our multiple personalities. In any case, crazy never looked so sexy or cool.

Oscar Night Retrospective

2009-02-23T15:58:00.000-08:00

Since I felt so personally robbed by the lack of imagination (and color) at this year's Oscars, I resolved to go back in time and revisit some of my favorite award-winning looks.

Here are my Top 10:
1. Michelle Williams tops the list with her elegant marigold-hued Vera Wang in 2006. It's ruffled neckline, knotted waistline and flowing train harkens back to the golden age of cinema.

2. Reese Witherspoon killed it in her violet, multi-tiered Nina Ricci in 2007. I remember being able to only truly appreciate it's full glory when photos came out the next day. On TV it looked almost black for some reason.

3. Gwyneth Paltrow was a vision in Zac Posen's salmon fishtail gown in 2007. The whole look is polished, modern and feminine from her straight long hair to her diamond chandeliers and cuffs. I love the delicate pleating thoughout as well as the unexpected neckline.

4. Hillary Swank brings old glamor back to the Oscars, literally, in her Guy Laroche in 2005. The up-do and minimalistic earrings kept it clean, classy and uncomplicated. She left critics up in arms over her bravado to wear, gasp, sleeves.

5. Kiera Knightly manages to look sophisticated without losing her gamine charm in her garnet toned Vera Wang in 2006. The simple, yet statement-making accessories only compliment the look. Her hair, however, leaves something to be desired.

6. Amy Adams channels Rita Haworth in her emerald Proenza Schouler in 2008. The side-swept, loose curls and the Art Deco-esque bag only adds to the green-on-redhead one-two punch.

7. Although the pink Ralph Lauren Gwyneth Paltrow wore when she accepted her Best Actress award in 1999 is not the most exciting, I think we can agree that it has secured it's place in our collection consciousness, making it nearly as unforgettable as her teary acceptance speech.

8. Not even the Lanvin goddess gown can take full credit for the vision that was Natalie Portman at the 2005 Oscars. The complete look: the smoky make-up, plunging neckline and the diamond headband completed, if not stole the show.

9. I like to reminisce back to a time when Renee Zellweger was first lauded as a great actress and not for the annoying, squinty-eyed pouter we have come to know. This beautiful canary, 50s-era vintage number by Jean Desses was a stand out at the 2002 Oscars and secured her spot as a sartorial force to be reckoned with.

There is a tie for number 10, for multiple reasons, least being the obvious that they are almost the same dress. I will explain more at the end.

10.1: I remember hearing critics complain about Nicole Kidman's peacock-toned complete with plume Gucci in 2006, but it forever remains one of my favorites. Maybe it's my predilection towards peacock feathers? Anyways I think she nailed it. Simple clutch, check. Romantic, unfussy hair, check. Beautiful show-stopping dress? Check.

10.2: I absolutely love everything about this whole look Charlize Theron has going on with her peacock blue Dior gown, simple jewelry and hair in 2005. This was also not a favorite with the critics but I can still hear a million blondes hitting the bottle (of dye, that is) after seeing how hot Hollywood's golden girl looked with her raven-tinted bob.

Admission: So the last two are technically not Oscar gowns. OK, they aren't at all, they were worn to the Golden Globes, but in my memory they were worn for Oscar. And for that I will concede and put them at the end of my list since they shouldn't be there at all. If they were, though they would definitely be higher up on the list (number 2 and number 5, respectively). Meaning Renee would get the bump; but I'm OK with that, it almost hurt to have her here anyway...

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Best Dressed: The Oscar's 2009

2009-02-23T14:46:00.000-08:00

Admittedly, I missed the 81st Oscar's red carpet due to the fact that I thought I'd be better off without television this year. I did however, catch an hour or so of the actual broadcast and took in every female presenter (not to mention the front-row set during the obligatory, response-catching audience pans) to see who and what she was wearing.

Here are a few of my favorites:

Marion Cotillard - Dior Haute Couture

Sarah Jessica Parker - Christian Dior (though this look is becoming a signature for her)

Angelina Jolie (if only for the Lorraine Schwartz emerald teardrop earrings)

Anne Hathaway - Armani Privé

Evan Rachel Wood - Lightening up in Eli Saab Haute Couture

Tilda Swinton - Lanvin (at least she doesn't disappoint our expectations for something avante guarde and a little kooky)

As for the rest, the gowns are getting as predictable as the award winners. Aside from the red-carpet reds and a few Pepto pinks, the color of the night was predominantly black or white. Give us color! Where are the jewel tones?

While most actresses played it safe in these recessionary times (come on people the dresses are on lone, live a little!), some actresses even went so far as to wear what could be confused for the same dress worn in award season's past. Ahem, Jennifer Aniston and Penelope Cruz you know who you are...

All in all the dresses were good, not bad but not great either—the only thing close to a Bjork moment was Sofia Loren's Limoncello disaster. But she's in her 70s and still looks hot so I, as everyone else except maybe Joan Rivers, will look the other way. Oh and one more little note to Beyoncé: it's the Oscar's, I think it's time to stop letting your mother dress you.

All negativity aside, my favorite dress of the night was Marisa Tomei's Atelier Versace gown. The intricate orgamigasmic pleating finally gave us something to take in and not once-over. The asymmetrical top was "on point" for the moment. For me, when the camera panned from top to train, it did inspire a moment of awe. So, thank you Miss Tomei for saving us from sartorial boredom.

NY Fashion Week Fall 2009

2009-02-21T11:28:00.000-08:00

New York Fashion Week fall 2009 coverage coming soon... Please pardon the delay I'm still recovering.

I Heart Looklet

2009-02-12T16:21:00.000-08:00

For those of us that still daydream of playing dress up with our Barbie dolls there is a new online outlet that promises to suck up more of your day than Facebook. During my ritual fashion blog trolling I came across Fashion Squad, a blog written by model-stylist Carolina Engman who was one of the stylists consulted in the making of Looklet. Looklet is a new website that let's you be the virtual stylist pulling from an archive of actually existent fashion pieces and styling them on a model.

Starting with a blank canvas (e.g. an image of a model in her skivvies) you can scan the closet in categories such as dresses, skirts, tops, shoes, accessories, etc or by designer which runs through the high-low spectrum from high street, mass-fash brands like Top Shop, H&M and Zara all the way to luxe designer labels like Alexander McQueen, Yves Saint Laurent and Commes des Garcons. It is the ultimate game of mix and match where you get to be the fashion editor.

I was initially surprised by the bold-faced brands that have provided their products to be used on this site, but I think we are baring witness to a new level of marketing for fashion brands. It's another way for designers to propagate their brand to the masses by a making it more accessible and thus more coveted.

Looklet is extremely user-friendly, and is as simple as picking a piece you want to use, clicking and it plops itself on the model. I expected the software to be clumsy and limiting but to my surprise there were so many different options to the ways to style the clothes other than simply matching outfits together. The program gives increased variety in the way a look turns out by allowing you to tuck shirts in, leave them buttoned or unbuttoned and layer pieces over each other. You can even chose different ways for the scarves to be worn. Are you feeling more Grace Kelly or or maybe a little MK?

This website is still in the developing stages and not yet open to the public, but Fashion Squad provided a passcode for her readers to login and check out the current product and provide feedback. I figure, since this information is already in the public domain, I will share it here as well.

Login to the website using the invitation code: LOOKLET-3644220725

The site as is runs pretty smoothly, my only requests are that they add an option to layer pieces within the same category (what?! you can't wear two necklaces or a necklace and a bracelet?) and that they immediately increase the footwear options. How are there no black shoes? Major oversight in my book.

I definitely plan to keep checking back on the website to see the new clothing and accessories I can play with (many, many more are promised before the official launch of the site). For now, I thought I'd personalize the images used for this post and share some of the outfits I created below (as well as the look in the above image, which is a snapshot of the actual site design).

Imperial Nights

2009-01-30T14:35:00.000-08:00

Here are the photos from the Jean Paul Gaultier Couture shoot for Nomenus Quarterly back in December. The intricate details and electric colors of the garments combined with the intergalactic-empress hair styling and haunting make-up creates a shadowy portrait of a dark, post-modern nobility.

Daylight Savings

2009-01-19T14:29:00.000-08:00

The latest photoshoot I assisted on was for the Spring '09 issue of a new art and fashion publication called Joy Quarterly. The magazine is only on it's third issue so it is still a little raw.

Personally I like art, and of course, I love fashion. I don't mind reading about both in the same publication. I think fashion can be thought-provoking and can be analyzed just as readily as art. Some may say—and I will agree—that it is a form of art. Sure maybe it's not as deep as art in the more traditional sense, but it can be just as much of an indicator of a person's internal workings as well as the social, political, and as our generation is learning firsthand—perhaps for the first time—the economic climate. My one minor complaint is when any artform is so over-intellectualized that it's intrinsic expression of emotion and the provokation of inspiration is hindered.

With that said, here are the photos from the shoot that I think are just artsy and moody enough to be beautiful, without taking the fun out of it. The clothing was provided by French designer Ann Valérie Hash and T by Alexander Wang, hosiery by Wolford and Fogal a little fancy footwork by Capezio.

Your 15 Minutes Are Up...

2009-01-17T13:15:00.000-08:00

A few weeks ago I was running around going to showrooms in Soho when I was stopped on the street by a man with a big, I-ain't-no-tourist, professional-grade camera. He politely introduced himself and asked to take my photo, explaining that he was the photoblogger for trend research company StyleSight's blog StyleSightings. Under normal circumstances I would have said no, but I was in a good mood and obliged. So here's my 15 minutes, Andy Warhol. Can you spot me?

It's a Wonderful Life

2009-01-17T11:51:00.000-08:00

Photos are up on the Wonderland Magazine website from the shoot I assisted on last October. Check it out.

Recession Digression

2009-01-16T21:02:00.000-08:00

With all of the focus design houses are putting on publicly presenting the "new" seasons of pre-fall and resort, one would think that showing collections to be released so far in the future—before the upcoming season's collections are even available on store shelves—would not be the smartest move in this economy. If we are suppose to covet pieces before they are available for purchase, and in addition be able to see even further into the fashion crystal ball, wouldn't that be a deterrent for consumers to invest in purchases that may not hold weight for seasons to come? Just curious. I think the industry is getting too ahead of itself with the competitive marketing ploys that they are making us move on to the next thing before we can even buy this season's "It". I guess that is the best recession plan I can possibly adhere to. I'm over it before I can buy it. At least as far as the trend-oriented pieces go. But the classic pieces will always remain, well, classic.

Case in point, witness Exhibit A, Alexander Wang's newly released Pre-Fall 2009 presentation:

Versus his Spring 2009 collection, shown last September:

Sure there are some common, uh, threads, but the whole feeling if very different. The silhouettes and essence that makes each collection distinct are not cohesive. The same can be said for other designers' collections. For me it's a mood as much as a piece-by-piece basis that sells a designer, but with the industry leaning towards schizophrenic intentions to create new looks and statement pieces, it's all beginning to get lost in translation. In a time when fashion needs to inspire and offer creative refuge from the economic crisis, it is becoming more blatantly about commerce than art—and soul of the medium in terms of playing to emotion and aspiration loses it's heart.

As much as I love seeing all the new fashions, I think there is a certain need for designers (or rather, the major conglomerations that own them) to take a cue from all the media over-exposure (and subsequent loss of positive public interest) affecting the careers of tarty starlets like Britney and Lindsey, and leave more to the imagination.

The Hair Up There

2009-01-14T14:11:00.000-08:00

So I have let way too much time pass between this photoshoot and my post. I really do not have much to say about it anymore as the holiday coma has wiped away most remnants of my memory pre-2009. I've posted the photos regardless as it was a pretty amazing shoot. I promise to be more diligent. Enjoy!

Jean Paul Gaultier Couture Fall/Winter 2008
Nomenus Quarterly volume number 6, available online and as a limited edition print publication
Photographer Erik Madigan Heck
Phenomenally space-age priestess hair by Ashley Javier
Jewelry by Fallon and LowLuv by Erin Wasson
Footwear by Manolo Blahnik for Jean Paul Gautier Couture

Puddle Jumper

2009-01-11T13:54:00.000-08:00

I thought my leather boots that were able to withstand California rain would be sufficient for trekking around NYC, but I quickly learned otherwise. I guess didn't really stop to contemplate that I would actually be out walking in the rain, not splashing through rain-soaked streets in my SUV. After ruining two pairs of good boots I have sucked it up and have resolved to buy some official rain boots.

Of course, I wouldn't dream of going for anything other than the classic, and so began my search for the best priced Hunter Wellingtons on the Internet (dammit, they are pretty much $115 across the board—so much for competitive pricing). Naturally, when looking for a deal I have a tendency to do the exact opposite and fall in love with the most expensive version available. Once again my delusion did not fail me. Low and behold the latest brand collaboration: Jimmy Choo for Hunter Wellington. Luckily they are not available until next June so I can thank urgent necessity for helping me avoid the $395 price tag. But in case anyone is interested in giving me a present in June for no reason at all, they will be sold at the Jimmy Choo stores and website.

The Not So Tony Tigress

2009-01-10T15:10:00.001-08:00

I'm sorry, but wait, am I crazy or is that a tiger fur coat Erin Wasson was wearing at Louis Vuitton's Stephen Sprouse party last Thursday? It's hard to tell from the picture if it is faux. I am very conflicted here. It is really insane, but if it's real it's super, super messed up. Puh-lease.

Short but Sweet

2009-01-08T11:44:00.001-08:00

So the holidays were a little too jovial and I forgot or got too lazy to post about the last two shoots I assisted on before the break. One was for S magazine, a racy Danish fashion publication. The look was sexy but sweet, pushing the line of decency not blatantly exceeding it. Most of the set was closed in fact to only the stylist and the photographer due to some nudity. Which explains why I am only posting one photo here. The model was a little concerned about the nudity and was assured by the photographer that it would be minimal, tasteful and mostly obscured by lighting/intentional shadows. We pulled so much great stuff for this shoot, but as I am learning, most of it got the cut. In fact, only some of the smallest pieces, in the truest essence of the phrase, were utilized. One of my favorite looks is the one shown here. The white silk tuxedo jacket is from a new brand called Duskin. They also make these great, well-cut super soft cotton tanks and tees in the same vein as Alexander Wang and The Row, but I'm assuming at a much lower cost. Definitely about to become a new staple in my wardrobe. Trying to swing a few samples... We also got a bunch of big, bulky silver cuffs from LowLuv by Erin Wasson. While they do work well for editorial, I am not too impressed and cannot imagine wearing one of the pieces for more than an hour or two given they are heavy as hell. For one shot we piled a few on one of the models arms and her discomfort was more than apparent although she opted to be a good sport about it.

A notable part about the shoot was the location. It was in the huge, industrial penthouse loft in a region that could be considered the northern netherlands of Chelsea. The space was shared with this a small design studio specializing in leather and fur pieces that could only be made with the 80s era "rock star" in mind. Or possibly someone going to burning man? Clustered in a corner of the studio were racks upon racks of concoctions that irked me both ethically and aesthetically. Other than that the loft was a totally open layout with a very home-y feel. I didn't think much about the bed in the middle of the space or the fully stocked kitchen until I returned after the shoot to retrieve something that had been left behind. To my slight shock there was a middle aged bohemian couple in their pajamas making breakfast in kitchen. I then realized they probably lived there and rented out the space during the day for photoshoots. And a good thing too as I'm not sure how fortuitous their other business could be...

Crossing Channels

2008-11-29T15:10:00.001-08:00

Given my respect for confidentiality, I won't name names, but last week I assisted on a photo shoot for The Last Magazine featuring an up-and-coming British actress. I personally hadn't heard of her before, but in my opinion, I think she's got a shot at making a name for herself. She has a few hot forthcoming projects, the first one being a Nick Hornby-penned script starring Peter Sarsgaard and Orlando Bloom. I think it's due in theaters in early 2009. The buzz is that she has the potential to become a new indie darling, and the fact that she was heading to a Purple magazine shoot directly after can all but confirm this.

The above photo was (again) taken from my iPhone. My apologies, but I suppose it adds to the mystery. I promise to try to get some valid photos on the next shoot. I didn't want to creep the girl out by taking pictures of her on a closed set.

The highlight of the shoot for me, naturally, was the wearables. Everything was pulled from the Yves Saint Laurent Spring 2009 collection. The clothing (looks 1, 4, 29 and 31—see below) set against the backdrop of the French King Suite at the Lafayette House, in combination with her pixie cut and dimples conjured a very mod, 60s London feeling in the photos taken by the lovely Jaime Isaia. Very Rosemary's Baby.

I am now completely obsessed with the crinoline booties from the collection. They are amazing to look at and it took iron will not to slip my little feet in them.

By looking at photos from the runway show, I thought that the heel was Lucite with caging around it. To my surprise, and compliments to the ingenious Stefano Pilati and his team at YSL, I discovered that it is completely hollow, and made from some sort of supermetal. This is the benefit of getting to see these things in person. You really come to appreciate the work, love and thought that goes into them. These birdcage booties would be so perfect for hot weather since they are completely open and the summer breeze can blow right through. A girl can dream...

This Year's Model

2008-11-18T14:58:00.000-08:00

Since I won't be going on any photo shoots until next week, and 'tis the season for wish lists (can you believe they're already playing Christmas music?!?) I thought I'd compile a few of my own. Here is my top ten list of models I'd seriously die to work with (although several would be extremely intimidating given their own outstanding personal style):

10. Maryna Linchuk - She's the up-and-comer of the bunch. Now that she's starting to get her share of the ad campaigns I'd like to see her used for more than just beauty shots. I think there is an edgier side that is not being utilized and I would love to bring that out with rougher styling, hair and make-up.

9. Gisele Bundchen - She brings such energy to her photos. I'd love to see what she could do on a photo shoot with a darker mood and styling.

8. Daria Werbowy - She has a very distinctive look that I cannot compare to anyone else. She can be extreme, toned down or anywhere in between, but still unmistakably Daria.

7. Sasha Pivovarova - I admire that she's willing to take risks in her photos. I loved the shoot she did with Hedi Slimane for the April 2008 issue of French Vogue.

6. Natalia Vodianova - She brings so much emotion to her photos. Almost a certain sadness. One of my favorite editorials of all time was the Alice in Wonderland story Annie Leibowitz shot for American Vogue. Only Anna Wintour could commission the greatest designers of our time to design a signature dress for Alice.

5. Gemma Ward - Quite possibly one of the most striking faces of the new guard. Her Kewpie-dollness begs to be photographed. Not to mention she's the perfect hanger.

4. Shalom Harlow - She's withstood the test of time, and is possibly even more captivating now. If you haven't already, view Victor & Rolf's Spring 2009 "runway" presentation. She was the only model featured in their digitalized show. Very V&R.

3. Erin Wasson - She has such great style and brings it to her editorials. But you don't see her enough. Maybe she's foregoing the modeling for all of the designing and styling she's been up to?

2. Anja Rubik - Forget Agyness, she's got the fiercest chop on the block. Anja can morph between tough and sweet in the swipe of a make-up brush. She is editorial, runway and kicked ass in the Chloe and Valentino ad campaigns this fall. Love her.

1. Kate Moss - Anyone who denies they feel the same is clearly lying. She is the most famous and versatile supermodel of all time. Period. I would love to just sit back and watch the master do her thing. And maybe even get some styling tips.

Flashing Lights

2008-11-16T17:40:00.000-08:00

So, as I mentioned in a previous post, I recently moved to New York to be closer to my first love. Fashion. The city, among its other charms is the capitol of the fashion industry. OK, that may be my opinion, but bring on the debates if need be. Just being in the streets, people-watching, the architecture and energy brings me to a head space filled with creative thoughts and impulses.

In L.A. I worked more on the business side of the industry, and loved being in the vicinity of fashion, but felt lacking on the creative side. It may be a quarter-life crisis of sorts, but I have turned over a lot of new leaves this year, and maybe the highest-ranking risk is not moving across the country leaving friends and family, but quite possibly leaving the security of a decent-paying, secure job in these economically uncertain times to pursue what I really want to do. It may not be the best time, but I feel it is the time.

And after a little time spent relentlessly cold-calling—or in this case cold-emailing, is there another term here??—I finally got a few leads and am now waist-deep in the action. I have begun fashion/wardrobe styling, well assisting stylists, and am loving it! Which brings me to the whole point of this entry. I think things on this blog will also be moving in a new direction here on out. I want to take it on a more personal note. Not in the sense of self-exploitation, but to make things connect more—where I connect with fashion. Not just thoughts and comments, but also in regards to how I affect (or intend one day to affect) the industry.

So, to make my explanation less abstract, I have decided to start chronicling the styling jobs I work on. Just a little taste of what's to come—I apologize for the photo quality, this is somewhat of an epiphany arrived upon after the fact, and is courtesty of my iPhone. The shoot was for ultra hip British magazine Wonderland, styled by the amazing fashion editor Anthony Unwin, whom I assisted. It was a really fun job to work on given the energy among all of the creatives on set. Foremost, the photographer Alexi Lubomirski and the very talented model, Olga Sherer. Olga was a wonder to watch. She really knows her stuff and brought a very upbeat, sexually-charged vibe to the photos. She is definitely one to see in action, having already been in basically everyone's runway show over the past few seasons. She can bring the heat to the editorial as well so I look forward to seeing more print work from her.

The overall look had a very sexy boardroom-meets-bedroom feel. There were lots of shoulder pads and mini skirts. Not to mention super high-high heels. I fell in love with a pair of suede, Bordeaux pumps by Christian Louboutin. They should hopefully make it into the mag given they were used for multiple looks, so I can drool over them a little longer. I definitely contemplated returning those Loubs a day late to the showroom for a one-night stand. Kidding! Anyway, I'm guessing since it's a five times a year pub it should be the Spring 2009 issue. Look out. More to come...

No Comment

2008-11-04T21:08:00.000-08:00

...except let the Hope begin...

iSightings

2008-10-27T14:39:00.000-07:00

Having recently transplanted in NYC from L.A., I am not one to blink at the occasional celebrity sighting. Today walking near my apartment in the East Village I was excited to catch a glimpse of the colorful Lynn Yaeger and Michael Musto stepping in to a cafe for lunch together. I suppose it is not a stretch to see them as lunchtime companions since they do work together at the neighboring Village Voice offices. I always wondered if Yaeger really did dress as eccentrically on a daily basis, the answer, at least from what I could see, was yes.
Less than five minutes later brunette-turned-blonde-then-back-again model Mariacarla Boscono blew past me in a in a wispy gust of a hurry.

Not to say that any of these people are celebrities in the sense of the word that L.A. is accustomed to, but for me and anyone else entrenched in the depths of the fashion world, it felt like a very New York moment.

Take Me to Hell in a Handbag

2008-10-17T15:16:00.000-07:00

Stop the press! Sofia Coppola is collaborating with Louis Vuitton on a small collection of accessories due out next spring. She is photographed above with one of the bags, appropriately named "SC." Another teaming with Marc Jacobs, but the first time with the French fashion house of LV. Writer, director, actor, model—the woman even has her own champagne—now luxury-goods designer. Can she please do something else to make me and the other legions of Sofia-cool lovers more envious?

Click here for her interview with Suzy Menkes for the IHT.

My Chérie Amour

2008-10-17T12:40:00.001-07:00

The new ad campaign for Miss Dior Chérie is so breath taking. There is such a sugary-sweet softness to model Maryna Linchuk that lends itself to the whimsy of the photographs taken by Tim Walker. The accompanying commercial that is expected to be released early next year will be by no other than Sofia Coppola! I'm picturing something along the lines of a hybrid of Marie Antoinette and The Virgin Suicides.

Fashion houses are really going to new heights with their advertising. Now it's not only about celebrity brand ambassadors but also celebrity directors. What's next, Scorsese shooting the Dior Homme cologne commercial? Actually, that would be pretty amazing... And considering the gritty rock star appeal of the menswear brand and Martin's recent foray in to rock docs, I have to say, possibly not too far fetched. Galliano are you listening?

Wild Horses

2008-09-22T17:17:00.000-07:00

A.P.C. strikes again! The French label hits another naturally provocative chord with its winter 2009 ad campaign featuring the equally compelling Stella Tennant, shot by Bruce Weber. The neo-nautical look juxtaposed with the rural countryside, complete with trusty stead and burro, clearly translates the brand's aesthetic which is equal parts sophisticated and whimsical. I can't wait to see more images from this photo shoot or the new collection. And we won't have to wait too long. Hits stores September 23rd...

Supermodel Sweep

2008-08-28T14:46:00.000-07:00

It's impossible to not notice the overwhelming presence of the 90s era Supermodels dominating the Fall/Winter '08 ad campaigns. It must be harder than ever for the up-and-coming modelettes to make a decent living in our current celebrity-obsessed culture.

The awkward cheekbones, gaunt physiques and lifeless expressions of the nameless legion of girls may work for the minimalistic or low-key luxury likes of Calvin Klein Collection or Alberta Ferretti, but only the biggest, most bold-faced names will do for mega-watt luxury labels like Louis Vuitton, YSL and Chanel.

What's in a name? I've compiled a list of the top models in fashion today based on their supermodel status and brand caché. This list takes in to account not only the quantity of campaigns, but the quality. And yes, it is my opinion, not fact.

Top 15 Supermodels of Fall/Winter '08:

1. Kate Moss: Stella McCartney, Donna Karan, David Yurman, Just Cavalli, Longchamp, Rimmel

2. Angela Lindvall: Chloe, Valentino, Jimmy Choo, Roberto Cavalli, Jones New York

3. Claudia Schiffer: Chanel, Salvatore Ferragamo

4. Daria Werbowy: Dior, Jean-Paul Gaultier, Isabel Marant, David Yurman

5. Stella Tennant: Vera Wang, Marc Jacobs

6. Natalia Vodianova: Versace, DVF, Jacob & Co

7. Linda Evangelista: Prada, L'Oreal

8. Kristen Owen: Marc Jacobs, Givenchy

9. Naomi Campbell: Yves Saint Laurent (exclusive contract, perhaps?)

10. Eva Herzigova: Louis Vuitton (another question of exclusivity)

11. Raquel Zimmerman: Fendi, Lavin, Roberto Cavalli

12. Shalom Harlow: Tiffany & Co., Tumi

13. Carolyn Murphy: Lord & Taylor, Banana Republic, Estée Lauder's Sensuous

14. Christy Turlington: Escada

15. Natasha Poly: Jil Sander, Nina Ricci, Blumarine

Ten out of these fifteen "girls" cemented their fame and name in 90s. The vast majority of the ad campaigns they star in are for the large corporate fashion labels, basically the most highly visible (and well-paying) real estate in the business.

In fact, The Supermodels have even edged out the movie star contingent that was so standard a few seasons ago. That is, with exception to Gwyneth Paltrow, who took over for Sienna Miller in the Tod's campaign. Of course, there are a few other minor celeb-endorsed ads (like Hayden Panettiere for Dooney & Burke) but let's not waste any space here.

One of the most compelling ads this season is for Jimmy Choo featuring Angela Lindvall, shot by Terry Richardson. Lindvall disappeared for a few years, got married and had a few kids, then re-emerged quietly a few seasons ago. Season by season she has picked up momentum and bagged a growing roster of contracts. She could be considered a supermodel, she is a name, but more so to the fashion world than the mainstream household. That is to say she is no Claudia or Naomi.

I am drawn to her ads because they are purposeful but don't bank on her image alone to sell us. Each of her ads is artistically driven and beautiful. This chameleon-like quality has made her a front-runner for the most top campaigns this season.

Where does that leave the new names and the no names? Jessica Stam, who was quickly becoming one of the hottest new faces, has dwindled down to co-starring in Giorgio Armani and Dolce & Gabbanna ads. Her fellow Victoria's Secret model, Doutzen Kroes, has also been relegated to ads for the lingerie giant as well as 7 for All Mankind. Either they're shelling out, or she's needing to cash in...

Others are turning to the magazine's editorial fashion spreads. Coco Rocha is sealing her presence with prime pages in September US Vogue and Harper's Bazaar, a Barney's New York and Phi ads, among other things. Sasha Pivovarova has ensemble Lanvin, Tiffany & Co. and GAP ads in addition to being a fashion feature favorite. Amber Valleta has also been heating up the fashion pages as of late.

As much as I love Kate and Claudia, looking at the same faces is growing boring (no matter what kind of wig you throw on them, ahem, Karl). And whereas the ads could have great art direction, setting, and actually highlight the product, it instead relies on a "name" face to carry the brand. I would much rather be bowled over by a intoxicating visual pictorial that reflects the brand's image than be dumbed down by a supermodel.

And dare I ask where Gisele has gone?

Campaign Trail

2008-08-27T21:34:00.000-07:00

Here are a few of my personal favorite F/W'08 ad campaigns:

Missoni: The dark, Bertuluccian drama starring Iselin Steiro, Kinga Rajzak and Mathias Lauridsen, photographed by Steven Meisel.

Jimmy Choo: The bronzed, leggy Angela Lindvall shot by always provocative Terry Richardson.

Chloe: Returning to it's breezy Bohemia with Angela Lindvall and Anja Rubik, shot by some of my favorite photogs Inez van Lamsweerde & Vinoodh Matadin.

Gucci: A boho-luxe fantasy with Lily Donaldson & Co. romping en plein air, also as envisioned by Inez van Lamsweerde and Vinoodh Matadin.

Miu Miu: With the auburn-maned Vanessa Paradis in Los Angeles captured by Mert Alas and Marcus Piggott.

Burberry: The room is oddly bereft of the white-haired "elephant", Agyness Deyn (who is noticeably absent everywhere). This season a fresh, wintry breathe blows in with Rosie Huntington-Whiteley and Sam Riley by Mario Testino.

What are your favorite campaigns for fall/winter?

Like Father, Like Son

2008-08-19T12:27:00.000-07:00

I am absolutely obsessed with the spread in the 2008 Fashion Rocks supplement featuring Sasha Pivovarova and Dhani Harrison. The illustrious 10-pages of hippie-luxe dreamland was magnificently photographed by Steven Meisel. My only problem with the photos is the overabundance of fur being used. Not quite sure how Papa Beatle, George Harrison, would feel about that, having been a vegetarian during his day.

It is amazing how Dhani is such a dead-ringer for his father. It appears now he is even following in his musical footsteps with his band, thenewno2, releasing their first album titled You Are Here.

Photos courtesy of Fashion Rocks

Spin City

2008-07-27T17:03:00.001-07:00

If you still haven't tuned in for AMC's top shelf 60s-era drama, Mad Men, don't make the mistake of waiting any longer. Set in 1962 Manhattan, tonight's second season premiere brings us back in to the Madison Avenue ad agency, Sterling Cooper's, office saga two years after last season's finale.

The first season won Golden Globe accolades for Best TV Drama and Best TV Actor. If that isn't enough to strike your interest, consider this: The show is visually intoxicating with it's intricately stylized sets and early-60s costuming. The interwoven historical storylines are enough to make the show quasi-educational (for those of us who weren't there), and the exaggerated (or are they?) displays of pre-PC office politics and male-chauvinism make it entertaining (albeit in a "oh-no-he-didn't" sort of way...).

So grab a smoke, a stiff drink and enjoy. 10 PM PST on AMC

On Your Mark, Get Set, Sew!

2008-07-16T15:22:00.001-07:00

The fifth season of Project Runway kicks off tonight at 9PM PST! This may be the last of the show as we know it, intact in its original skin. The possibility of the only valid reality show going to Lady Lifetime is slightly scary. But for now it remains with its parent channel, Bravo!, and all the original judges (and Tim!) are still in place.

Nina Garcia, has resolved to stay on at ELLE as "Editor-at-Large"—though it is speculated (or is it confirmed? I became bored of following the daily rag and industry rumors about her deliberation) that she is heading to Marie Claire. Although I'm not quite sure what's she's going there (as of ELLE's August issue none of the fashion pages, or content for that matter, bare her name). I guess it's all a part of the mutually beneficial fame game. Wonder what kind of paycheck she's getting for doing nothing but representin'...

The word is that the first episode will be repeating the first ever Runway challenge, which entails a round of Supermarket Sweep followed by a roll-out of edible or miscellaneous, grocery-list creations. Personally, while the zany work-with-XYZ-random-materials-and-make-a-dress-out-of-it episodes are not my favorite, they are still entertaining. If that will remain the case will depend not only on the concoctions but also on the at best witty, and at its worst, catty comments of the designers.

However, whether the new pack of designers are able to follow the creative suit of past casts will only be revealed as the season unfolds. Let's hope that this set is equal parts talent and personality so we can continue to count it as one of our lesser guilty, guilty pleasures.

So Haute!

2008-05-28T23:20:00.000-07:00

I was so thrilled to see the photos from the last days of the Cannes Film Festival. This year thus far the attendees have been lackluster. The red carpet had been rolled out, but nothing stimulating or exciting passed through.

Maybe my sentiment was shared by the powers that be because all restraint was lifted for amfAR's Cinema Against AIDS benefit.

A kaleidoscope of colors mixed and mashed with the crimson carpet. Madonna struck a pose in a silk salmon secretary sheath by Stella McCartney. Dita Von Teese sizzled in a flowing ultra violet Gaultier. Milla Jovovich and Mary J. Blige rocked the vibrant reds.
On contrast to the brights, there was a slew of black and whites to be seen. Although the palette was more tonal, it was far from boring.

That being said, Natalie Portman receives my vote for having the most daring, and in turn best dress. The sculptural, white Givenchy Haute Couture confection is a sartorial pleasure to look at. It's all at once chic, sexy and edgy—which is no easy feat.

Photos courtesy of Style.com

The Art of Business

2008-05-26T16:52:00.000-07:00

My friend and I were discussing my insecurities about blogging. I explained that I feel self-indulgent in broadcasting my opinions. I want to write and enjoy blogging, but feel insecure at the same time. Who am I to think that my opinion counts, or is valid in concern to things that I really may know nothing about? There is an element of not wanting to offend anyone. Or worse, bore them.

We decided that any creative form of expression is essentially self-indulgent. To be an artist of any form, you must be confident that a.) your opinion matters and b.) that other people want or need it. I feel that I have the former, but am having a hard time validating the latter. When you really think about it, it is hard to believe your opinion matters if you don't know whether other people need it. The remedy, I suppose is to write for yourself and hopefully, others will find the validity in what you have to say.

The Marc Jacobs article in the June/July issue of Interview both addressed the insecurities of making the kind of art you want to make--and the forces that push against you when trying to do so, and elicited my anxieties towards commenting on someone that I do not know. In this position, I do not know any more about Marc Jacobs than what he has revealed publicly. Everything else is my interpretations of what he has said or done (or that which has been said about him).

There is a certain enigma surrounding the man that is Marc Jacobs, despite his being actually quite frank about his personal and professional life. I have loosely followed his physical transformation from slightly disheveled, bookish advocate of grunge and downtown aesthetics, to the blinged-out, overtly flamboyant, pectoral muscle-exposing exhibitionist.

For those like me who adored the previous incarnation, it is difficult to look at, and accept, this new persona. There have been a series of articles on him as of late so I think I am not alone in being slightly befuddled by his drastic re-invention. In last month's GQ he explained his new physique was attributed health issues that made him rethink the way he was leading his life and treating his body. He began working out and eating healthfully and became obsessed with the new lifestyle, and one would assume the results of his dedication.

One can understand his desire to be health-conscious. It is good to take better care of yourself. But is is hard to wrap your head around how someone can change so drastically. It may not be fair to judge, but it is a mystery to me how someone can do such a 180 and become something you thought they were themselves previously critical of.

Miami Vice

2008-05-19T19:27:00.000-07:00

Karl Lagerfeld can't sit still. Aside from designing more than a gloved handful of collections every season—showing on their native runways from Paris to Milan—he is also a photographer, a videogame DJ and one of Time magazine's 100 Most Influential People in 2008.

One would think that would be enough to keep the 70-something busy. But not our Karl. At the helm of titanic Chanel and Fendi, he has been one of the major proponents in turning the simple concept of a runway show in to a delectable sideshow. Spring and Fall have remained stationary, well, at least geographically speaking (care for a twirl on the Chanel carousel, anyone?). But Resort has become the traveling circus. When given a chance to take the show on the road, Karl has for the last three Resort seasons opted to peddle the goods Stateside. Last year at Chanel it was the aviatrix at the Santa Monica Airport Hanger. Before that New York heeded the call. And lest not forget Fendi's Great Wall extravaganza.

Last Friday Lagerfeld invited his VIPs (Very Important Patrons) to a pool party at Miami's Raleigh Hotel to showcase Chanel's Resort '09 collection. The Art Deco scene seemed to foretell an oncoming legion of models roaring down the runway in 20s-era ensembles. Guests—who spanned from Diane Kruger to Anna Kournikova (among other Annas)—looking for the time-tested Le Smoking or satin floor-length number did not leave the show unsatisfied. There were plenty of references to the decade's flirtation with a more liberal sexuality, sometimes overtly feminine, other times subterfuged with a wink towards androgyny.

However, the collection did not stop with a modern interpretation of the Jazz Age. It also provided a 70s-inspired slant to the equation. Think part Gatsby, part Taxi Driver, with a little Marlene Dietrich stirred in for an added edge of glamor and mischief. Whatever it was, there was definitely a little gangster present—of course, with Old Hollywood sensibility in mind. Even the footwear was trigger happy.

With 74 looks the show meandered a bit from a solid focus (and it wasn't just the wavy runway). There were a few misguided looks. Namely, a series of navel-grazing sweaters with bell sleeves, paired with ultra-flared bell bottoms and a pleated, hyper-short (Hot-pant? Skirt?).

Overall, the collection was a refreshing glimpse in to our fashion future. And of course, the accessories—particularly the strappy metallic or black and white cross-hatch heels—was Chanel doing what it does best.

Foot Loose

2008-04-29T19:36:00.000-07:00

Last weekend in L.A. the mercury rose to a sweltering 100 degrees Fahrenheit. The first thing on my mind was the daunting search for a cool mass of water to dip my heat-stroked body in. The second was "what is the least amount of clothing I can get away with in public (without soliciting chilly stares)?"

All I can imagine wearing when it's this hot are sundresses and sandals. And so, although it is not even May, I began my search for the endless summer wardrobe.

After scouring many stores—boutique, brand and vintage—I was disappointed to see the dismal selection. Is it possible to find anything under $300 these days? Aren't we in a Recession?

I hit the Internet to see what I can find in the ether-world. I have to confess, I'm still leery of shopping for clothes online. I like to touch and try on before committing. Plus, there is something about the experience that is less exciting. The impulse is different. The adrenaline rush is more about the anticipation of the package; not the purchase and acquirement of the object.

My first stop is shopbop.com. I decide to focus on the feet. Two main requirements: open and flat. I am overwhelmed by the abundance of selection (and many being under $300).

Huaraches are apparently having a revival. Jill Stuart did a modern metallic take on the classic beach shoe. Frye gave it a feminine twist with a peep-toe and a mini-wedge.

Farylrobin makes a great earthy gladiator that is more Summer of Love than war. And if I'm feeling knotty, Joie's corded sandal will do swimmingly.

Naturally, there are an array of choices that reach out of my budget, but I choose to ignore them. There are enough under the $250 range that will make my feet happy and save me from feeling the heat once the pre-summer highs have cooled down.

Did the 90s Really Bite?

2008-04-22T20:17:00.000-07:00

I watched Reality Bites last night. Aside from reminding me that Ethan Hawke was actually hot it made me long for the early 90s wardrobe of blousy, vintage button-up dresses (not to mention stroked my urge to chop my hair).

Kurt Cobain's credited for so much of the fashion influence of the 90s, but I think this movie also had a lot to do with it. The actors, characters and soundtrack—god, it's good, not necessarily the artists, but simply the songs in compilation—contributed to a time capsule for the 90s.

The film left me with Lisa Lobe's "Stay" and an obsession with the sunglasses Winona wore in the scene where she's swiping her dad's gas card in exchange for cash.

I've been searching online with minimal luck. This is the best image I could dig up. Now if only I can find out the brand/style name...

Can't Buy Me Style

2008-04-16T11:39:00.000-07:00

Brutal honesty is an appreciated virtue, unless it is biting the hand that feeds. Take this snarky quote from Diane Von Furstenberg in today's WWD:

“It would be pretty depressing to dress only rich people, because they don’t always look so good,” she said. “It was the young, hip girls who I saw buying my vintage wrap dresses who inspired me to get back into the business.”

Hip, young rich girls? A perfect fit.

Irreverence? Priceless.

2008-04-10T18:12:00.000-07:00

There's a MasterCard ad in my April Vogue offering a chance to win a portrait by Julian Schnabel. Initially, I found it sad. An artist selling out—all that jazz. After processing the initial shock, I've decided it's actually pretty cool. He's kind of spitting at convention—toying with our perception of art. Isn't all art essentially commercial?

I opened the little ad's 3D envelope like a kid digging for the prize in a Kracker Jack box. I would feel awkward staring at a portrait of myself; I'd rather it be of my cat, Phoenix. I think Julian might actually appreciate that gesture of slight absurdity. Alas, I didn't win. I suppose I'll have to find another way to immortalize my feline friend.

Internal Wars

2008-04-09T20:41:00.001-07:00

I know designers cite film as a source of inspiration, but I never figured Alexander McQueen to be a Star Wars fan. The final look at his Fall 2008 show was curiously reminiscent of Natalie Portman's character, Queen Amidala.

The Look of Love

2008-03-30T14:52:00.000-07:00

There are times when donning nothing feels better than the first wear of your new favorite outfit.

I have been traveling for the last 2 weeks and am finally coming home. Just in time for my birthday. So, in celebration of my birth and homecoming, I will be taking a few days off in the desert to rejuvenate.

For my intentions this weekend I will look to John and Yoko for fashion inspiration. Think Amsterdam Hilton Bed-In. Sometimes, it's not about the clothes you wear; all you need is love.

No Playing Outside

2008-03-27T08:31:00.001-07:00

Being a kid used to be about going outside, playing til the street lights came on, getting a little dirty and scuffed up in the process. Those of us who dressed ourselves took pride in our independence, and years later have the pleasure of looking back and getting a good laugh out of our savvy (or completely crazy) outfits.

Now, designers that we love are creating diffusion lines for our (or our friends') offspring. There's always been Baby GAP, but now we also have Little Marc, Juicy Couture for baby and kids and many others—all spanning the grounds from toddler to tween.

America's sweetheart designer, Phillip Lim, has now joined the little league of designers catering to mommy and their mini me. Barney's New York has picked up the line, and starting today, Kid by Phillip Lim can be purchased at Barney's stores or on their website.

The collection is comprised of cute cotton tiered shift dresses, semi-serious trenches, and adorable separates. The poppy hued, multi-fold day dress is no less than precious. Basically, Kid offers miniature versions of dresses we would normally covet, and for some reason the sub-zero sizes make them look even more adorable.

But with prices ranging from $165 to the mid-$300s, one can't help but wonder what the Lim kid will be permitted to do. It's hard to imagine this little gamine playing tag, picking flowers or climbing the jungle gym. All kidding aside, it begs the question—what will become of this new generation of stylish brats who are becoming designer-conscious at an age when they should be experimenting with eating paste?

Early Arrivals

2008-03-25T07:16:00.000-07:00

Every day the world gets a little smaller, and the reach and sway of luxury brands becomes more expansive.

As a part of my job, I travel to various international locales, each in their own right pursuing a piece of the budding retail market. Today I find myself in Azerbaijan.

To be honest, I was unaware this country existed until I was booking travel reservations. Last night, as my plane descended in to the capital of Baku, I became skeptical. Looking down on the nondescript city seated aside the Caspian Sea, I was doubtful that there was any promise of discovering a glittering metropolis-in-the-making. Driving through the dust-filled streets en route to my hotel, I grew increasingly so.

Today, touring the city, I was surprised to see the caliber of international luxury brands littering the streets. Armani. Escada. Ferragamo. MaxMara. Chopard. Lacoste. Hugo Boss.

Cartier reportedly just opened last week to the much buzzed-about fanfare of actress and spokesmodel, Monica Belucci's, coinciding visit.

What impressed me more was the telltale "Coming Soon" signs of the second wave of trailblazers. Valentino, Diesel, Burberry... It is apparent that the city is actively soliciting brands to enter the region.

Aside from the mounting luxury presence, the rumors of a bid for the 2018 Summer Olympics has the city whipped in to a wind storm of construction, what locals have dubbed, "The Year of Construction."

It amazes me how a city's desire for "modernity" often leads it in to the lap of luxury. The country, outside Baku's city center, is still steeped in poverty and entrenched in it's rural roots. The national language is Azerbaijani, but most city-dwellers speak Russian (it seceded from the USSR in 1991) because it is considered provincial to speak in the local tongue.

What is it that really makes a country modern? It is the buildings, with their nouveau-something architecture? Is it the politics or the people? Or is it the commerce? It seems that the new strategy to proving to the world that you are a modern nation is by the means of establishing an enviable list of shopping destinations.

As much as you want to cheer on a developing country, it is hard when all it seems to be doing is emulating the older kids on the play ground. Hopefully the agenda behind the street-front facades of the new commercial and bureaucratic buildings is also future-minded.

Withering Heights

2008-03-19T16:05:00.001-07:00

This spring platforms, heels and wedges are rising to new heights. With vertiginous footwear ubiquitous on the runway, the occasional model stumble has become commonplace.

Psychedelic fairyland heels flitted down Prada and Miu Miu’s Spring ’08 runways. Defying the laws of Physics, it’s pure geometry at Chanel, future shock at Dior—and I’m still trying to solve the gravitational mystery of Marc Jacobs and Antonio Berardi’s levitating heels.

Cartoonish and otherworldly, these objets d’art have women everywhere trampling each other to grab the next ”It” shoe. Practicality, whether concerning comfort or shelf life, has been stamped out.

The heavens are the limit—but what goes up, must inevitably come down to earth. Until then, we will be witness to the merely mortal’s attempt to walk in the shoes that make the angels fall.

Feast or Fashion

2008-03-11T20:31:00.000-07:00

I was sitting at a café, having a quick bite in between meetings and runway shows. It was early February in Manhattan, the frenetic energy of NY Fashion Week thick in the air. Picking at my veggie sushi, I was confronted by my boss, RS—“is that all you’re going to eat?” I look up at her, and now the rest of our group, eyeing my lunch. I sheepishly explained that I had recently gone vegetarian (for the third time, actually). She is French, and by birthright a connoisseur of all things edible. I knew this revelation would not be greeted with approval or applause.

I became vegetarian for the first time my freshman year of high school. It was one-part animal rights; the other, I suppose could be attributed to my need to forge an identity for myself. My second run was in college. Neither lasted for much over a year. Both led to the same result of anemia and subsequent illness. Looking back, I attribute it to a bad diet. I don’t know why I figured vegetarians could live on pasta alone.

The current attempt was instigated by a book my younger sister gave me for Christmas. I unpeeled the ribbon and paper, read the title and rolled my eyes. Skinny Bitch. What’s this all about, I pressed. Just read it, she said.

I picked it up a few weeks later and found that the contents actually had little to do with what the title connotes (with exception to the sassy prose and the constant reiteration of the phrase Skinny Bitch). The book surprising promotes life-long health and veganism; not a fad diet that would result in a small ass. It goes in to depth about the affect of food on our health, cruelty to animals and the corruption of the government bodies “protecting” our food sources. It was quite affecting, and I decided to give vegetarianism another crack.

It’s amazing how curious people are about what you do or do not eat. I’ve had to explain myself many times, and will admit to being slightly embarrassed to disclose my inspiration came from a book with such a frivolous title.

Once again defending myself, I was uprooted by an unsuspecting question. “So what about your boots, belt, gloves?” I had honestly given little consideration to going vegan with the rest of my lifestyle.

I started contemplating the reality of me, a fashion devotee, shunning all animal-derived products. Sadly, this is the down side of having a little conviction—you end up coming off as a hypocrite.

The main snag is the accessibility of fashion that doesn’t compromise my style or sense of conviction. In high fashion and in the mass-market, the pickings are truly slim.

Stella McCartney is the best for this breed of uncompromising style. A life-long vegetarian, she has built a fashion enterprise offering products that are both cruelty-free and eco-friendly. She even dedicated her F/W’08 show "to everyone who believes you do not need fur in fashion." Her collection offered many ingenious alternatives to fur and leather.

Her line of handbags and footwear are made from only synthetic or natural materials like raffia, wood, faux leather, Lucite, etc. One of my favorites from the F/W’08 collection was the wooden-plated shoulder bag, somewhat resembling medieval armor, with gold, chain-link hardware.

Natalie Portman also recently launched a vegan footwear line in collaboration with Té Casan. She lamented that, "as a vegan, it's been challenging finding designer shoes made of alternative materials. This collection offers a great selection without compromising quality or style." Not so much. Her efforts are commendable, but the actual product leaves me uninspired. And at an average of $255 a pair, they are not exactly reasonable either.

From here the market drops off to small indie brands that sell equally unimaginative designs and most times using low quality fabrications. I’m not sure if inflicting blisters can truly be considered a cruelty-free product.

I’ve never owned a piece of fur and don’t have any obscene pieces of leather products (even my couches are pleather). Just your standard boots and handbags—most of which are vintage. I’m not sure if a hard-core vegan would allow this as a consideration, but it makes me feel a little better.

I have found myself torn between what I would love to do in an ideal world, and my reality. It is a major commitment to forsake all things animal derived. It has to be taken one step at a time. For now, I aim to support the cruelty-free cause, and refrain from buying any unnecessary animal products. It will be on a look and love—but don’t touch—basis. I guess until I can give up organic Gorgonzola I can still keep my vintage leather boots.